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“He showed up at my place in Crema, and we started working together.
It took us a year of back-and-forth between Crema and New York, and we started from scratch.
Producers Peter Spears and Howard Rosenman had optioned the book before it was published in 2007, and were working with another director to mount the project.
The films that sprang to mind: Jean Renoir’s A Day in the Country, Bertolucci’s La Luna, Rohmer’s 80s films like The Green Ray and Pauline à la Plage (Call Me is set in 1982).
Certainly, there is a cross-generational controversy ready to ruffle some feathers, but that feels almost incidental.