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Today we're all one clumsy joke away from public ruin. offers a thought-provoking and wry exploration of outrage culture through the lens of stand-up comedy, with notables like Gilbert Gottfried, Penn Jillette, Lisa Lampanelli, and Adam Carolla detailing its stifling impact on comedy and the exchange of ideas.
What will future will be like if we can't learn how to take a joke?
The shift from “funny” to “racist” didn’t occur on its own.
It took years of opposition and protest from the targets of such racial ridicule.
To better explore these new bounds in modern comedy, I decided to get my answers from the ground: I enrolled in comedy school. Over the period of several months in 20, instructors at a reputable L.
Take, for instance, the roast of Whoopi Goldberg at the Friars Club in 1993 in which Ted Danson appeared in blackface, performed a series of black stereotypes, and made liberal use of the “n-word.” The performance horrified many in attendance, and the private club famous for its no-holds-barred celebrity roasts issued its first-ever public apology in response.
It’s worth remembering that only a few decades earlier, blackface was one of the most popular forms of comedy in the country.
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Over fifty very famous American, Canadian, British and Australian funny people (filmmakers, writers, actors and comedians) share life and professional journeys and insights, in an effort to shed light on the thesis: Do you have to be miserable to be funny?
Moreover, all of the contributors include a discussion of their activities in retirement.