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Eva Vives is a graduate of NYU’s Tisch School of the Arts.In 2000, she won the Best Short Prize at the Sundance Film Festival and Cannes Film Festival with Five Feet High and Rising, a short she cast, edited and produced.The more I infused his actions with sweetness and emotion, the more pitiful he got.
She goes to the fridge to get an ice pack and we cut to the aftermath of sex. — we rehearsed the scene again and it was completely different. In one take, he ended up crying, asking Nina to comfort him.
And therein lay a major problem with one of my characters: Joe. He’s married, has two kids, and hits Nina from time to time, mostly when his power needs to be reinstated.
Joe is partly based on a cop I met once but also on my father, who was abusive to me and to others.
I’ve never been so uncomfortable in my life because I remembered my father doing that with me, forcing me to hug him and tell him I wasn’t hurt.
For the first time, I was able to see the scene from Joe’s point of view, without that meaning that I agreed with his actions.Having her ask instead of him offering gave Nina some power back, and I, at least, badly needed that.